Saturday, April 25, 2015

Lecture #2 Clint Sleeper: A Discussion

The work of Clinton Sleeper is eclectic but trends toward conversations with the nature of technology and issues of ownership, expectations, and the established. Over the course of his work there are prevailing themes as exhibited in a recent project Teaching Capitalism to Nature. In this piece Sleeper attempts to educate the natural world as to the inner-workings of capitalism and basic principles it seems to not ‘understand’. He notes that most pieces are communicated through an artist-specific lens. These perspectives are demonstrated through numerous pieces such as Teaching Capitalism to Nature which employs elements of humor, sarcasm, and disappointment. Many of Sleeper’s projects draw from previous experiences in his life. This can be seen in his music pieces and general disappointment with the music industry. Many pieces are reductionist in their nature and convey a certain informalism in their mechanical exposure. However, other pieces such as ‘TVs Playing 8-bit Melody’ do not show exposed electrical components despite their extremely complex nature. Another element of Clinton Sleeper’s work is the repurposing of items. This is not in the sense of previous artistic conversations elevating the everyday to ‘high art’ but rather the unconventional repurposing of items so as to draw attention to the act or the object(s) own intrinsic social commentary. Repurposing facilitates deeper thinking on issues of ownership and established items. Sleeper’s maintenance art addresses these topics by creating displays of “responsibility and humor.” Maintenance art is as much an art in the final product as is the action of oddly misdemeanor-like repairing of public objects such as benches. Other projects such as hanging swings beneath billboards, function as a situationist response to the topic of ‘space.’ Ownership thus becomes the question, and minor modifications of ‘private’ space act as small but powerful rebellions in their own right against this labeling of space. Projects such as these from Clinton Sleeper communicate a sense of detournement against a capitalist model.

          The work from Clinton Sleeper serves as inspiration in both technical and conceptual sophistication presented in simple yet elegant visual compositions.

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